Averi has likewise expounded on design and its relationship

history channel documentary science Averi has likewise expounded on design and its relationship to heavenly bodies in Mesoamerica. One such site that Averi discusses in point of interest is that of Chichén Itzá. He, and his partners, talked about the calendrical imagery of specific structures inside Chichén Itzá and certain relationships that could be seen from inside the Maya schedule. For instance, Averi talks uncommonly cabout the Castillo of Chichén Itzá and how certain parts of it can be identified with parts of the Maya religious philosophy, timetable, and divine occasions. He portrays the Castillo of Chichén Itzá and binds it to these distinctive viewpoints. For instance, he thinks of, "This ventured radical pyramid has nine patios, the same as the quantity of levels of the Maya underwold."(Averi; 129). Averi is indicating how the Maya joined parts of their belief system into their building arranges. He goes ahead to say, "Partitioned by a stairway, every side contains eighteen such layers, which is equivalent to the quantity of twenty-day months in a Maya year."

(Averi; 129) Averi is demonstrating an immediate connection between's the path in which the Maya fabricated, and embellished, this landmark and how they tied their timetable into it. Whether it is by fortuitous event or done by reason there is no denying that the likenesses to the two characteristics specified concerning the Castillo demonstrates that the Maya could have extremely well been embedding these belief systems into the stone landmarks that ruled the scene. At the point when the Castillo is seen from above it "takes after the quadripartite charts of the universe that the antiquated Mesoamericans painted in their codices, which demonstrate the four directional divine beings, plants, creatures, day names, and so forth"